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Thursday, December 1, 2005 |
I finally got down to reading one of the many books I have recently
got. Am absorbed in Invisible Cities by Italo Calvino
presently
and I find it a fascinating read. It's funny, it's the sort of book
you may or maynot read from cover to cover, and for many days, I just
dipped in and out, and always find there is food for thought whichever
page you unveil. There is poetry in the images he conjures of magical
invisible cities; cities nobody has ever seen, and yet those that every
one of us might have sensed and experienced.
Semiotically really rich, it is a book which is difficult to 'analyse',
but where I find myself reflecting on the almost meditative tensions
between what we see, what is, and what might be; between past, present
and future; between death and beauty; all of which urge you to drift
along dimensions of perception and memory. Only this
afternoon did I read it in some
order, but I drifted, and I am nowhere near done. I know it will lie on a shelf
that's easily accessible and I will keep dipping into it. Here's one of
the conversations between the older Kublai Khan and young Marco Polo;
typing it in brought it more alive to me somehow. Then Marco Polo spoke: "Your chessboard, sire, is inlaid with two woods: ebony and maple. The square on which your enlightened gaze is fixed was cut from the ring of a trunk that grew in a year of drought: you see how its fibers are arranged? Here a barely hinted knot can be made out: a bud tried to burgeon on a premature spring day, but the night's frost forced it to desist." Until then the Great Khan had not realised that the foreigner knew how to express himself fluently in his language, but it was not this fluency that amazed him. "Here is a thicker pore: perhaps it was a larvum's nest; not a woodworm, because, once born, it would have begun to dig, but a caterpillar that gnawed the leaves and was the cause of the tree's being chosen for chopping down ... This edge was scored by the wood carver with his gouge so that it would adhere to the next square, more protrudings ..." The quantity of things that could be
read in a little piece of smooth and empty wood overwhelmed Kublai;
Polo already talking about ebony forests, about rafts laden with logs
that come down the rivers, of docks, of women at the windows ... And in the final conversation, Polo states : "The inferno of the living is not something that will be; if there is
one, it is what we already have, the inferno where we live every day,
that we form by being together. There are two ways to escape suffering
it. The first is easy for many; accept the inferno and become such a
part of it that you can no longer see it. The second is risky and
demands constant vigilance and apprehension: seek and learn to
recognise who and what, in the midst of the inferno, are not inferno,
then make them endure, give them space." 6:28:45 PM ![]() |
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Copyright 2009 Dina Mehta
